- What do I need to run it?
- A Mac. Pro Tools is only needed to import the tracks, so any version that imports clip groups or AAF works. No iLok, no plugins, no internet connection.
- What files does it read?
- A CMX3600 picture EDL, plus a location source: a continuity sheet PDF, a lined script, a one-liner, or a simple CSV scene list. Skip the location source and clips are named by scene number alone.
- What frame rates?
- 24, 23.976, 25, and 29.97. You pick the rate at build time so the tracks land sample accurate against your session.
- What lands in Pro Tools?
- Media-less clip groups — a few hundred kilobytes for a whole episode, no dummy audio cluttering your session. Import, drop at the session head, done. Prefer AAF? Passport builds that instead with one click.
- Don't I already get this from a conform toolkit?
- If your crew owns one and it does what you need, keep it. On the suites, the scene track is a side feature — numbered clips, no locations, built for the one conform chair and its iLok. Passport's whole job is the finished track: named from the continuity, three tracks, cheap enough that every editor on the crew can own it.
- Aren't there free ways to make a cut track?
- There are — and they all hand you unnamed cuts. The hour was never the slicing; it was typing the names off the continuity sheet. That's the part Passport does.
- My show's continuity sheet looks weird. Will it parse?
- Continuity layouts vary by show and Passport ships with a supported-inputs guide plus a CSV template that always works. If your document stumps it, email it over and we'll make it parse.
- What about renumbered scenes?
- Handled. Letter sub-slates, decimal splits, and editorial block renumbering into the 100s are all matched automatically, and anything unmatched is flagged on the strip before you build.
- Refunds?
- Fourteen days, no questions. Email support and it's done.